Стилистические особенности в романе Джейн Остин «Гордость и предубеждение»

INTRODUCTION 4
Chapter 1. THEORETICAL FOUNDATIONS OF CONSIDERATION OF THE UNIQUENESS OF THE ARTISTIC IMAGE 6
1.1. Figurative system of a work of art 6
1.2. Classification of expressive means 14
SUMMARY OF RESULTS 16
Chapter 2. IMPLEMENTATION OF THE MEANS FOR CREATING THE HEROES OF JANE AUSTEN'S NOVEL "PRIDE AND PREJUDICE 17
2.1. Features of the style of Jane Austen's novels 17
2.2. Classification of female images in Jane Austen's novel "Pride and Prejudice" 21
SUMMARY OF RESULTS AND DISCUSSION 24
CONCLUSION 27
References 29

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The nature of the artistic image, regardless of its purpose and scope is multifaceted and unique. The image may be rational and sensual, may be based on the personal experiences of a person, on his imagination, and may be factual. And the main purpose of the image is a reflection of life. Whatever it appears to a person, and whatever it is, a person always perceives its content through a system of images. The interpretation of the artistic image of the hero occupies one of the central places in the creation of a literary work, since it is through the images of characters, their characteristics, distinctive features that the analysis of the problems of writers' creativity is most often carried out. there are quite a lot of studies in the field of studying various means of creating images of the main characters in Jane Austen's novel Pride and Prejudice, but they do not fully reveal their character and originality. their inconsistency allows us to designate the topic of this study as very relevant.
The novelty of the work lies in expanding the general field of knowledge on research issues and identifying and individual features of the author's style of Jane Austen, manifested in the images of the main characters of the novel "Pride of Prejudice". The main characters of the work are presented as key elements between reality and the world displayed by the author. The main characters are images that have a certain structure, where the following levels are reflected: a verbal figurative portrait, a speech figurative portrait, a figurative portrait of a psychological orientation. The interaction of these levels and the author's intention of the work is always extremely important, since together they make up the information that should reach the reader. The classification of expressive means in a work of art helps to reveal the depth of the plot.

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Chapter 1. THEORETICAL FOUNDATIONS OF CONSIDERATION OF THE UNIQUENESS OF THE ARTISTIC IMAGE
1.1. Figurative system of a work of art

Thus, the figurative system of a work of art includes the following elements:
? the image of the work itself as a whole;
? the image of the author (lyrical hero);
? the system of images of artistic space and artistic time (chronotope);
? the image of the character;
? speech, language images;
? images-details, micro-images.
«The image of a character is the main element of a literary work, since fiction is characterized by focusing attention, first of all, on a person. Consequently, the image of the character is considered to be the main one, and the rest of the images are secondary. Speaking about the image of the character, it is necessary to distinguish between the concepts of "literary hero" and "character". "Literary hero", as a rule, refers to the main character, "carrier of the main event" in a literary work. This is the exponent of the plot action, which reveals the content of the work. A character is any actor who does not carry any additional meanings. But some authors consider the concept of "character" to be neutral, which can also denote the subject of action and speech» [26, р. 159].

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